If you’re into welding and fabrication you’ll know first hand that welding sparks and thin cotton don’t mix well. This is where the Earnest Smiths Jacket comes in. Made using Earnest’s durable and tough K-CANVAS, it’s built to withstand years of workshop abuse. In fact, the K-CANVAS fabric is so strong it is the world’s first work canvas material to be CE approved for motorcycle use. The 13oz canvas is made up of 48% Dupont Kevlar which makes it 20x stronger than regular canvas.
When comparing my old Hardin Overalls to the new Earnest Smiths Jacket, at first glance, the material looks the same. However, closer inspection reveals a difference between them. The K-CANVAS, most likely due to the kevlar weave, has a softer feel compared to the duck canvas, but that’s where the differences stop. The Smiths Jacket features all the quality details from Earnest that I’ve come to know and love.
Straight out of the bag the Smiths Jacket exudes strength. From the triple-stitched seams to the reinforced wear areas in the elbows, this jacket is undoubtedly built to last. The heavy, riveted buttons keep things together and on the lower half of the jacket, they sit behind a canvas flap. This keeps whatever you’re leaning over free from accidental scratches. It’s details like this that make you realise just how much time and effort has gone into perfecting this design.
Other smart inclusions in the design of the Earnest Smiths Jacket include a 3 compartment tool pocket for stashing your go-to workshop essentials. A padded pocket on the chest provides a safe place to store your phone or other fragile valuables. The canvas is spark, slash and rip-resistant and has a slide time of over 4 seconds. And to keep your hands warm on cold workshop morning there’s additional side-entry pockets.
Even though it looks good enough to wear on a first date, the Earnest Smiths Jacket is, at its core, workwear. The jacket fits loose enough to not inhibit movement, but it’s not baggy enough to get in the way. If Goldilocks ran a workshop this would be the jacket she’d be reaching for.
Story and photography by Ben Pilatti